PROJECT NEWS

 

 

 

    JANUARY 2008 JUNE 2007
MAY 2007 MARCH 2007 JANUARY 2007 DECEMBER 2006
NOVEMBER 2005 AUGUST 2005 JUNE 2005 SEPTEMBER 2004
FEBRUARY 2004 JANUARY 2004 OCTOBER 2003 SEPTEMBER 2003
AUGUST 2003 JULY/AUGUST 2003 JULY 2003 JUNE/JULY 2003
JUNE 2003 MARCH/APRIL 2003 MARCH 2003 FEBRUARY 2003
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MARCH 2002 JANUARY 2002 NOVEMBER 2001 SEPTEMBER 2001
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JANUARY 2001 DECEMBER 2000 SEPTEMBER 2000 JULY 2000
JUNE 2000 MAY 2000 APRIL 2000 FEBRUARY 2000
SEPTEMBER 1999 AUGUST 1999 JULY 1999 JUNE 1999




 


 

 

JANUARY 2008:  Gode spoke to two groups of students at Attleboro High School about the American lynching phenomenon on January 8, 2008.  One teacher called Gode a 'gifted storyteller.'  The events were sponsored by the Attleboro Cultural Council.

 

On January 21-23 2008, Gode executed a complex and exciting itinerary at Beloit College in Beloit, Wisconsin. Beloit is Wisconsin’s oldest college, established in 1846. Highlights included a multicultural conversation about the lynching phenomenon, lynching-topic-related lectures and discussions with students and faculty convened for international politics, social justice, political thinking, a public lecture entitled American Lynching held in the college’s Richardson Auditorium, and on the second day of his visit additional appearances with students and faculty convened for international relations of Latin America, race theory, and slavery and abolition.

 

“Mr. Davis came to Beloit College and was a very pleasant surprise in his appearances here. His riveting and appropriately disturbing documentary will be a must encounter for anyone serious about eradicating injustice in the 21st Century. The images coupled with Mr. Davis’s compelling narratives and discussions brought the evil of lynching up close and personal.” 

Dr. Debra Majeed
Associate Professor & Chair
Department of Philosophy &Religious Studies
Beloit College
Beloit, WI

 

You can see Gode's full itinerary here.
 

You can watch a video of Gode's presentation here::

 

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JUNE 2007:

MOB KILLS PASSENGER IN CAR THAT HIT CHILD

By Liz Austin Peterson

Associated Press

Austin, Texas- Watching her battered brother lay on the pavement outside her home, struggling to breathe as he choked on his own blood, Margaret Morales couldn’t fathom why someone would beat him so badly.

It’s a question police were still trying to answer Wednesday, a day after an outraged mob kicked and punched David Morales to death as he tried to defend a friend whose car had apparently hit and injured a child.

Hundreds of people who had attended a city-sponsored Juneteenth festival had spilled into the public housing complex’s parking lot for an informal after-party shortly before the beating began, neighbors said.

The driver was confronted by several people when he got out of the car to check on the 3- or 4-year-old child, Austin Police Commander Harold Piatt said. When they attacked the driver, Morales got out of the car to protect him and was attacked as well. Police said no guns or knives were used.

Piatt said the mob may have been as many as 20 people. The driver got away and is cooperating with investigators, who are not releasing his name.

Margaret Morales said a young boy came to her door to tell her that her brother was lying on the ground outside. She found him sprawled on the pavement 100 feet from her townhouse, gasping for air.

Her sister and mother came running after hearing her screams, but police wouldn’t let any of them get close to him.

On Wednesday, the lawn outside Margaret Morales’ three-bedroom townhouse in east Austin was littered with potato chip bags and plastic foam cups that partygoers had left behind. She sat with her sister, Elizabeth, on her porch watching her 13-year-old son sob in the arms of two friends.

“I just want the people caught and brought to justice,” Elizabeth Morales said. “I want them to feel the same pain that they caused my brother.”

Margaret Morales said her brother, who was staying with her, was a painter who was on his way home from work. The driver, whom she knew only as Victor, picked him up and dropped him off every day, she said.

Police arrived one minute after receiving a 911 call, by which time the beating had stopped, department spokeswoman Toni Chovanetz said. But the Morales family complained that medical help was slow in coming.

David Morales arrived at the hospital about 35 minutes after the 911 call was received, said Warren Hassinger, Austin-Travis County Emergency Services spokesman.

Emergency officials said police ordered them to wait until the area was secure.

A preliminary autopsy listed blunt force trauma as the cause of death.

 

 

Commentary

By Gode Davis

 

In a second shorter piece written by the AP reporter Liz Peterson, several other details of this lynching-like tragedy emerged. The victim’s full name was David Rivas Morales. Morales, 40, was riding in a car that entered an apartment complex parking lot on Tuesday June 19, 2007 and struck two-year-old Michael Hosea, Jr. police said. The boy was taken to a hospital with non-life-threatening injuries.

Peterson also writes of “conflicting accounts” of how many people were in the area. Police originally estimated 2,000 to 3,000 and a woman who lives at the complex said hundreds who had been at a Juneteenth festival filled the parking lot and street. Only later, in retrospect, did the number of perpetrators involved in bashing Mr. Morales to death get “officially” reduced to “four or five persons.”

Of course the public relations specialist quoted by Peterson’s news reports, a police spokeswoman named Toni Chovanetz, also downplayed any connection to the nearby city-sponsored festival for Juneteenth, which commemorates Texas African-American slaves getting the word of their Federal emancipation on June 19, 1865 – and Mr. Morales’s lynching-like death.

Nationally, the coverage was yet more minimal.  I noticed a one sentence news leader blurb at the bottom of CNN unrelated coverage, and nowhere was the “L” word mentioned. Our corporate-driven media would be loathe to use the word “lynching” to describe an actual American murder by mob unless such a tragic event transpired on the White House lawn, and occurred to a young black man – and maybe not even then. In 1998, a sensational dragging death of a black man and a beating death of a gay man garnered frequent mention of the “L” word, but because in each case it could be proved that only two perpetrators had committed the act, then the convenient euphemism “hate crime” could more generally and correctly be applied to our selective American conversation. Was this 2007 event a lynching? You be the judge.

Gode Davis


 

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MAY 2007: On May 4, 2007, Gode Davis returned to Attleboro High School in Massachusetts to reprise his workshop entitled The Lynching-Bullying Connection. The event went extremely well and was very well attended. Many insightful questions were posed proving that this topic remains provocative for high school as well as college age and adult audiences. 
 

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MARCH 2007: Click here to read Gode Davis' eulogy for Juan Bonilla Flores, whose father was killed in the 1918 mass lynching that came to be known as The Porvenir Massacre.

 


 

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January 2007:  Click here to read Gode Davis' eulogy for Dr. H. James Cameron, lynching survivor and founder of America's Black Holocaust Museum.

 

In February, Gode will screen the American Lynching film trailer as part of the University of Rhode Island's STRANGE FRUIT: An Exhibit on Lynching and Hate Crimes. 

URI Providence Campus
80 Washington St Providence RI


STRANGE FRUIT: An Exhibit on Lynching and Hate Crimes January 16 through February 23, 2007 with performance and discussion February 2 at 11 am, and February 7 and 20 at 7pm.  The URI Providence Campus Gallery will explore in art, images and words the history of lynching and hate crimes locally, nationally, and internationally.

The exhibit will feature artwork, photographs, and news clippings from the collections of documentary filmmaker Gode Davis, and artists Bob Dilworth, Ken Gonzales-Day, and Reuven Wallack, along with a special performance created by the Everett Dance Theatre.  The performances will be held on Feb 2 at 11am and Feb 7 & 20 at 7pm, followed by a talk by Mr. Davis and a public forum with Q&A led by professionals in the field as an opportunity for dialogue.

Gallery Hours: M-Th 9-9, F&S 9-4 (closed Sunday) For information: 277-5206

 

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December 2006: On December 15, Gode Davis presented his workshop entitled The Lynching-Bullying Connection at Attleboro High School in Attleboro, MA.  The 40-45 students and teachers in attendance screened the 2003 work-in-progress DVD of American Lynching: A Documentary Feature, followed by a lecture and discussion. The event was very well-received. 

To inquire about scheduling a lecture or workshop with Gode Davis,  please contact him via Gode@AmericanLynching.com
 

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November 2005: Gode Davis presented a workshop entitled The Lynching-Bullying Connection as part of a conference held at Rhode Island College on November 5. This inaugural event was well attended and successfully linked the practice of extreme bullying to the phenomenon of lynching in America. Extreme bullying occurs in schools and other public settings and victimizes students and children designated as “The Other” by hateful clusters of people or loose-knit groups. Lynching targeted marginalized persons in a similar way through the vehicle of lynch mobs. 

Gode will next travel to Arizona State University to discuss the ongoing film project and the sordid history of the lynching phenomenon.  Arturo Rosales, author of ¡Pobles Rasa!, a pioneering study of violence against Mexican Americans, will also present.  This event, scheduled for November 17, is sponsored by the ASU Departments of History, African & African American Studies, and Chicana & Chicano Studies; the Center for Latin America Studies; and the School for Social Justice & Social Inquiry.  

 

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August 2005: Click here to read the revised treatment for AMERICAN LYNCHING.

Our grassroots fundraising campaign is off to a promising start.  We are sincerely grateful to those of you who have pledged support.  However, help is still needed if this project is to succeed.  To learn more about how you can contribute to American Lynching, click here.

 

 

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June 2005:  AMERICAN LYNCHING director and co-producer Gode Davis was in Washington D.C. on Monday, June 13, 2005 to film events surrounding Senate resolution 39, a so-called “lynching apology” intended as a belated atonement for victims of lynchings and their descendants. Co-sponsored by Sen. Mary Landrieu (D-LA) and Sen. George Allen (R-VA), Gode was invited to the ceremonious series of events by Senator Landrieu. He witnessed a presentation by the eloquent James Allen, known for his illustrated book about lynchings in America called Without Sanctuary (and its associated website) and also a press conference highlighted by a stirring account delivered by H. James Cameron, the 91-year-old gentleman known for surviving a lynch mob’s wrath on August 7, 1930 in Marion Indiana. (Mr. Cameron isd in the visitor’s gallery of the U.S. Senate when the historic resolution was actuallre as strictly symbolic.

 

Read Senator Landrieu's letter here

 

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September 2004:  Gode Davis and the American Lynching project are the subject of a feature-length article in the October issue of Rhode Island Monthly magazine.

 

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February 2004:  The Charles H. Wright Museum of African-American History in Detroit has contacted us about a possible screening of American Lynching in conjunction with their upcoming lynching exhibit commencing in July 2004 and extending into 2005. If our film is accepted for screening, the museum, largest of its kind in the United States, is expected to assist us in obtaining completion funding.

 

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January 2004: Our team is pleased to announce the addition of Minneapolis-based filmmaker Craig Rice, current executive director of the Minnesota Film & TV Board, as our first Executive Producer. (See our Personnel section for details!)

 

Great news! We learned on January 26, 2004 that American Lynching has been selected as a semifinalist and will move forward to the NBPC (National Black Programming Consortium) final panel for funding consideration. Results will be announced by March 31st.

 

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October 2003: Our participation in the prestigious No Borders section of the 25th Annual Independent Film Project (IFP) Market is now history. Although open only to the film and television industry and a few guests, two screenings of American Lynching’s latest work-in-progress tape went off without a hitch. Co-producers James M. Fortier and Gode Davis attended a plethora of meetings with potential buyers and interested parties with a goal of securing adequate completion funds. Reaction to our screening trailer seemed quite positive, with frequent allusions to the scope, merit, and originality of our work. As a consequence of feedback received at the IFP Market, we have decided to alter the title of our documentary feature to simply American Lynching – eliminating any confusing subtitled information.

 

October 15, 2003 – We learned today that our project has officially advanced to Phase III Review of the Independent Television Service (ITVS) Open Call for Autumn 2003 (Round 2). This is an enormous competitive achievement, placing American Lynching into an elite field of independent film hopefuls seeking a coveted co-production relationship with ITVS. Based in San Francisco, ITVS is funded entirely by the Corporation for Public Broadcasting in Washington, D.C. Only about a dozen new films receive completion funding from ITVS – out of nearly 2000 applications considered annually.    

 

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September 2003: Most of this month has been spent preparing for our participation in the No Borders section of the IFP Co-Production Market in NYC, a hectic process leading us forward. Screenings of our latest WIP tape are scheduled for Monday, the 22nd at 1:30 p.m. and Thursday the 25th at 11 a.m. in Theatre 4 of the Angelika complex. On to SoHo! 

 

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August 2003: Our August 17-19, 2003 filming trip to Coatesville, Pennsylvania was successful despite a breakdown of Gode Davis’s personal car. It was the water pump, and something a bit reptilian called a serpentine belt. A rental car fortuitously acquired on a Sunday night at the local airport near Newburgh, New York transported Mr. Davis and Associate Producer Alf Wilson to the appointed motel where they joined DP-Co-Producer James M. Fortier and crewmembers Brian Dilg and Fred Cerniglia after an arduous five-hour late-night drive.

 

The interviews were quite fascinating. On Monday, the 18th our camera focused on author and scholar Dennis Downey, a professor of history at nearby Millersville University. His insights about lynch mobs in general, and about the lynching by burning of black steel mill laborer Zachariah Walker on August 13, 1911 in particular – proved most germane. On Monday evening, we shot B-roll of the precise site where Walker was burned and a mob of 5,000 had gathered to partake of the grisly spectacle. Tuesday’s interviews featured 99-year-old Irene Downs, a wise ancient woman who had actually known lynching victim Walker during that fateful summer so long ago, and Lark Worth, the granddaughter of the magnate whose steel mill had been at the crux of it all.    

 

 

On August 30, we received word that American Lynching: Strange And Bitter Fruit had once again made it to the Second Round of the ITVS Open Call competition for Autumn 2003, as we had in the Spring Open Call – only to lose then in the Third Round just prior to actual Co-Production funding. We sent out our latest version of our WIP (work-in-progress) tape soon thereafter, putting our “best foot forward” – this time hoping for better results from the ITVS committee of dedicated readers.

 

 

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July/August 2003: Editor and second writer Mike Yearling and Co-Producer and Director Gode Davis have been busy assembling a revised Work-In-Progress tape at Mike's Ohio domain.  The new tape will run a bit over 13 minutes in length and will feature more original footage and interviews shot by Co-Producer and Director of Photography James M. Fortier.  

 

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July 2003: Notification was received on July 24, 2003 that our film, American Lynching: Strange and Bitter Fruit, had been selected for IFP/New York's eighth annual No Borders International Co-Production Market, taking place in New York City.  No Borders, a section of the 25th annual IFP Market running from September 21st to September 26th, accepts an elite field of 35 projects from around the world, of which only 13 are documentaries.  Additionally, as a Work-In-Progress in the IFP Market, we will have a 25-minute slot to present a portion of our project as a preview screening.  The IFP Market, attended by 2,000, is the only selective film market in the United States that is focused on presenting film works in development exclusively to industry professionals.  IFP is an acronym for Independent Film Project.   Its members consist of peers engaged in the profession of independent filmmaking.  

 

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June/July 2003: American Lynching Co-Producer Gode Davis traveled to Springfield, Missouri on a low-key research trip to see what he could learn about the death of 27-year-old Leonard Gakinya.  Gakinya, a Kenyan immigrant, was found hanging from a microwave communications tower on the morning of October 2, 2002.  On the day his body was found, authorities labeled Gakinya's death a "clear-cut" suicide -- but inconsistencies about the case remain troubling.

 

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June 2003: Michael DiBenedetto is back as a PA for the third consecutive summer!  The return of the diligent DiBenedetto is much-appreciated.

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March/April 2003: With the addition of regional Emmy-nominated Production Advisor Lorraine Norrgard the new and exciting team to complete production of American Lynching: Strange And Bitter Fruit is fast taking shape. Please visit our revised Personnel page to keep track of recent changes. In other project news, Gode Davis and Mike Yearling have been hard at work creating a new work-in-progress (WIP) trailer that will provide interested parties with a better idea of how the film's original vision is evolving. The working script is also being rewritten to reflect some of this new direction.

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March 2003: Saint Patrick's Day meant more than "the luck of the Irish" to supporters of American Lynching. After making application to San Francisco-based ITVS (Independent Television Service) - perhaps the world's leading funding agency for providing broadcast opportunities to independent film projects, we learned that we had been selected for Phase II Review in the ITVS Open Call process - beating out several hundred other outstanding proposed film packages from around the world. To achieve this exciting milestone in the prestigious semi-annual event, our application had to be top notch. (You can view the narrative portion of our so far successful application just by clicking HERE.) In addition, if you'd like to know more about ITVS, here's their link.

 

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February 2003: American Lynching: Strange And Bitter Fruit has been "greenlighted" by PBS! In conjunction with a more enthusiastic level of support for our in-progress documentary film project, the factual programming office of the network has issued a new and more enthusiastic letter of support than anything previously received. 

read the PBS letter here

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July/August 2002: The first major shooting (filming) trip for American Lynching began in late July and extended well into August. Filmmaker Gode Davis and a crew of three -- Director of Photography James M. Fortier, James Borrego, and Kaye Charles Cruz (the latter two men conveniently based in San Antonio, Texas)-- traveled to various “lynching-related” destinations in Texas and Oklahoma in hopes of meeting Mr. Davis’s pre-arranged objectives. Among those interviewed were 106-year-old Hobart Carter in Wortham, Texas, 93-year-old Nannette Hutchison in Waco, Texas, 82-year-old DeArman Fields “Pat” Ratliff in Lone Grove, Oklahoma, and Juan Bonilla Flores, age 97, in both Odessa and Porvenir, Texas—the latter destination reachable only by off road vehicles and situated in the upper Big Bend region of Presidio County right on the Rio Grande with Mexico in plain sight.

Mr. Carter’s vast storehouse of memories were probed by the filmmaker—especially events surrounding the lynching-by-burning of Carter’s best friend, Johnny Cornish—one of three “blacks” burned alive that day in supposed retribution for the death of a local white girl.  

Read about this May, 1922 event in our Infamous Lynchings section under the heading Kirven, Texas.

 

 

  Ms. Hutchison’s experiences involved “living while black” in Waco during the early years of the twentieth century. As a six-year-old child, she remembered the grisly, charred remains of lynching victim Jesse Washington being dragged down the street and past the house where she lived. She will never forget the awful sight. “I learned on that day what truly evil people are capable of,” she says.   

Read about this 1916 spectacle lynching in our Infamous Lynchings section under the heading in the timeline 1916.

  On November 19th, 1929, an impressionable 9-year-old “Pat” Ratliff witnessed the hanging-style lynching of his beloved father on a downtown street in Cisco, Texas. An angry, bloodthirsty mob knew Marshall Ratliff only as a notorious bank robber and suspected killer of old Tom Jones—a popular guard at the local jail—and so they lynched him. Pat Ratliff tells a different story about why his father was lynched. He shares with our camera memories of his father’s gruesome death and also describes what it was like to grow up as the scapegoated son of a lynched man.

  The story told by 97-year-old Juan Bonilla Flores is among the most poignant of all.  Interviewed at his home in Odessa as well as at Porvenir, Texas, Mr. Flores witnessed as a 12-year-old in 1918 the mass lynching of 15 Mexican-American innocents at Porvenir. Both local ranchers and Texas Rangers perpetrated this massacre. Among those murdered by bullets were his beloved father, Longino and boyhood friends as young as sixteen. Since this ghastly event so many years ago, Mr. Flores has been plagued by almost daily nightmares. Visiting El Porvenir and getting the event documented was extremely therapeutic for this long-suffering man. Afterwards, he had this to say, “For the first night in many years, I felt that maybe at last people will know what happened to our village.”  

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July 2002: Gode Davis recently completed a trip to Texas and Oklahoma for American Lynching. Busily engaged in scouting locations and in meeting prospective interviewees -- people with lynching related ties -- he met with an extended family of Mexican Americans in Odessa, Texas including 97-year-old Juan Bonilla Flores who witnessed the massacre-lynching of fifteen Mexican American men and boys while living at El Porvenir, Texas in January 1918. He is the sole survivor of that event.

Other interviewees soon to be filmed include the son of a lynched bank robber, the brother of a murdered girl whose death precipitated a double lynching, and several elderly African Americans who witnessed various lynching events in Waco, Texas prior to 1923. The eldest of these prospective subjects is 109 years of age.

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June 2002: Gode visited the main National Archive and the Library of Congress in Washington, D.C. and National Archive 2 in College Park, Maryland, during the month of June. He found many interesting pieces that fit the puzzling phenomenon called lynching.

 

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April 2002: Filmmaker Gode Davis spent March 30th to April 6th traversing the state of Mississippi for American Lynching. This research and scouting trip was sponsored by the Mississippi Humanities Council and aided by resource people at the University of Southern Mississippi in Hattiesburg. Besides obtaining valuable oral history excerpts that might be used in the film, Gode interviewed Charles Evers, brother of slain civil rights activist Medgar Evers, on Easter Sunday. Mr. Evers witnessed the aftermath of a lynching in 1932.

 

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March 2002:  We have learned that the Houston Endowment, the largest private foundation in Texas, has awarded American Lynching the sum of $75,000. This is our largest contribution from any single funding source -- so far! 

March 2002: We are pleased to announce the appointment of Oliver Franklin as principal fundraiser and associate grant writer for our project. Mr. Franklin was formerly the executive director of the Texas Historical Foundation and still resides in Austin. 

 

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January 2002: On Friday evening, January 11, 2002, filmmaker Gode Davis was a featured presenter at the Rhode Island Committee for the Humanities Independent Research Grant (RIG) Showcase. At this inaugural open-to-the-public demonstration held at the Committee's offices in Providence, Mr. Davis joined other IRG grant recipients in explaining what research was involved to "get their projects going." The well-attended gathering proved a rousing success!  

 

 

 

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November 2001: On November 8, 2001, filmmaker Gode Davis met in-person with project advisors Martha Hodes and Michelle Wallace in New York City. Everyone agreed, "It was wonderful to put a face to the voice." 

November 2001: On November 13, 2001, the advisor team was enhanced once again by the addition of Texas scholar John R. Ross, renowned for his 1983 work At the Bar of Judge Lynch: Lynching and Lynch Mobs in America. This insightful work draws intriguing conclusions about seldom-explored antecedents of lynch mobs in the United States -- for instance, white-led raiding parties bent on attacking Amerindian villages in the interests of "manifest destiny." Other additions to the advisor team during 2001 include: Neil R. McMillen, Michelle Wallace, Sherrilyn A. Ifill, Clive Webb, William Wei, Pervis L. Brown and Dr. Lonnie Athens. 

 

 

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September 2001: On September 16th script writer and filmmaker Gode Davis completed a working two hour script for American Lynching: Strange and Bitter Fruit. This could not have occurred without the help of many outstanding project contributors and advisors.

 

 

 

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July 2001: American Lynching: Strange and Bitter Fruit has been awarded a new grant for $2,000 from the Rhode Island Council on the Arts.

 

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June 2001: The Mississippi Humanities Council Awards $2,000 to fund lynching - related research in Mississippi. Mississippi becomes the fifth state humanities council to support American Lynching: Strange and Bitter Fruit.
 

 

 

 

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May 2001: We are pleased to announce the addition of new sponsoring organizations for American Lynching: Strange And Bitter Fruit in both Mississippi and Louisiana. Our partner in Mississippi is the Center for Oral History and Cultural Heritage at the University of Southern Mississippi in Hattiesburg. Louisiana's entry into our ring is the New Orleans Video Access Center, or NOVAC for short. This brings our total number of sponsoring organizations to five--six if you include our production partner, the Chedd-Angier Production Company based in Watertown, Massachusetts.

 

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April 2001: We are pleased to announce two recent additions to our film's advisory team, Kenneth E. Foote of the University of Colorado at Boulder and Neil R. McMillen of the University of Southern Mississippi. Foote is a noted geographer who has researched the reasons why Americans have memorialized certain sites of tragic and violent events while omitting others. The historian McMillen is a renowned author and expert on the dynamics of lynching events occurring in historical Mississippi and elsewhere in the American South.

 

 

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January 2001: The Maryland Humanities Council unanimously awards a $5,000 Production Grant towards the Maryland component of "American Lynching: Strange And Bitter Fruit." So far, 4 grants have been awarded to the project through the humanities councils of three states -- Rhode Island, Texas, and Maryland.

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December 2000: The Texas Council for the Humanities awards $15,000 to fund the  Texas component of "American Lynching: Strange And Bitter Fruit."

 

 

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September 2000: The Summerlee Foundation of Dallas, Texas awards $20,000 to "American Lynching: Strange And Bitter Fruit."

September 2000: The Texas Historical Foundation in Austin agrees to become a third collaborating organization for the project -- joining the Urban League of Rhode Island and Connecticut Public Television & Radio.

 

 

 

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July 2000: Mr. Davis, as a new artist, is awarded the sum of $2,437 for American Lynching: Strange and Bitter Fruit from The Rhode Island State Council On The Arts.

 

 

 

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June 2000: Mr. Davis, with an assist from scholar/advisor Monte Akers, conducts interviews in Texas with several lynching survivors (mostly witnesses) and a single perpetrator. The action takes place in Pasadena (near Houston) and in several vestige communities in the grasshopper-infested hinterlands northeast of Waco. The interviewees, mostly quite elderly and neglected, leave a bittersweet impression on everyone's mind.

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May 2000: California Newsreel, based in San Francisco, expresses intent to becoming an international distributor for our film!

May 2000: Connecticut Public Television & Radio signs on as our presenting station for PBS.

May 2000: This month's benefactor is The LEF Foundation -- a San Marino, California-based private foundation noteworthy in independent film circles around the globe. American Lynching: Strange And Bitter Fruit is awarded $10,000!

 

 

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April 2000: The project receives a generous grant -- $20,000 -- from the Rhode Island-based Dorot Foundation, a private national-scope foundation. Deborah Lipstadt author of Denying the Holocaust: The Growing Assault on Truth and Memory, is Dorot Chair in Modern Jewish and Holocaust Studies at Emory University in Atlanta.

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February 2000: Sponsored by The Urban League of Rhode Island, and with a great assist from the local league's Executive Director Dennis B. Langley, our documentary film receives a second grant from The Rhode Island Committee for the Humanities -- this one for $5,000!

 

 

 

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September 1999: After interviewing lynching survivor Dr. James Cameron at America's Black Holocaust Museum in Milwaukee, Mr. Davis assembles other elements for the crucial sample tape. By mid-October, 1999, the tape is completed! Raidge, a talented actor from the Black Repertory Theatre in Providence and actor Warren Hammack, founder and long-time creative director of Kentucky's Horsecave Theatre -- both do a fine job as voices on the tape with little preparation.

 

 

 

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August 1999: The Chedd-Angier Production Company  http://www.chedd-angier.com/ agrees to assist Mr. Davis in producing a sample tape for American Lynching: Strange And Bitter Fruit.

 

 

 

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July 1999: Project Director Gode Davis received one of the first ever independent research grants for $2,000 from the Rhode Island Committee for the Humanities.

 

 

 

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June 1999: American Lynching received a $2,500 research and development grant from Oregon Public Broadcasting.
 
 

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